Shortly before his death, Holly was planning to produce other artists (such as Ritchie Valens, Paul Anka and the newcomer, Waylon Jennings) and open a recording studio in London.Īfter his death, Holly’s influence and songs remained pervasive.
SONG BUDDY HOLLY DIED FULL
He recorded one track (“Early in the Morning”) with a full gospel choir and another (“Reminiscing”) with the blues saxophonist King Curtis. And Reginald Dwight (better known as Elton John) ruined his eyesight wearing black horn-rims in imitation of Holly.Īs he took steps toward creating revolutionary music, Holly also rebelled against the apartheid that had divided white rock artists from blacks. Whereas Elvis attracted a mostly female audience, Holly’s fans were equally mixed between the sexes. Holly was the first rocker to break through based on ability, energy and personality. In fact, the first recording the Beatles made, at their own expense, was Holly’s “That’ll Be the Day.” As Norman writes: “Up in Liverpool, John Lennon and Paul McCartney both had their noses practically touching the screen.” Several years later, Lennon and McCartney formed the Beatles (originally the “Beetles” in honor of the Crickets) and wrote and performed their own songs, as had their hero, Buddy Holly. His famous television appearance on Sunday Night at the London Palladium held some budding musical talent in a trance. In March of 1958, Holly and the Crickets toured Great Britain (something Presley never did), bringing him face to face with many of his disciples. He and the Crickets’ guitar/bass/drums lineup became the prototype for every rock band that followed. Whereas they had all become solo performers by the time they emerged on the scene, Holly came to stardom fronting a group, the Crickets.
One crucial detail sets Holly apart from Presley and other rock progenitors. But songs that didn’t make the American charts were often major hits in Great Britain. Unfortunately, the complexity of Holly’s songs was not fully appreciated by American audiences. This rendered the layered Holly sound particularly remarkable. Double tracking, which uses two tape recorders, allowed Holly to sing harmony to his own lead vocals and play both lead and rhythm guitar. He also pioneered double tracking, which future stars capitalized on. This allowed him to pioneer various techniques, including being one of the first to accompany the rock beat with strings. Holly was one of the first musicians to produce his own work. “His voice,” as Norman notes, “is the most imitated, yet inimitable, in rock music.” The Beatles, the Rolling Stones, Bob Dylan, Eric Clapton, Elton John, Bruce Springsteen and others admit his influence. As a songwriter, performer and musician, Holly is the acknowledged progenitor of nearly every world-class rock talent to emerge in our lifetime. “That’ll Be the Day,” “Peggy Sue,” “Rave On,” “Heartbeat” and others have been springboards of inspiration for countless budding musicians. They remain as fresh and potent today as when they were recorded over 40 years ago. The songs Holly wrote and performed are rock‘n’roll classics-two-minute masterpieces. As Philip Norman writes in his insightful book Rave On: The Biography of Buddy Holly (1996), “he threw back the boundaries of rock‘n’roll, gave substance to its shivery shadow, transformed it from a chaotic cul-de-sac to a highway of infinite possibility and promise.” To call someone who died at the age of 22 “the father of rock” is not as farfetched as it might seem. He was a true pioneer, a revolutionary, a multi-dimensional talent. Holly, by contrast, was an adept musician and an artist who was devoted to his craft. Elvis, the quintessential star, soon forsook rock for slow ballads and mediocre musical films. Virtually everything we hear on recordings and see on video and the concert stage can be traced to two icons: Elvis Presley and Buddy Holly. But in that short period, Holly’s innovation and keen musicianship made him the Mozart of rock music and one of the most influential musicians of the 20th century. For Buddy Holly fans like me, it seemed that all was lost-a feeling immortalized in Don McLean’s classic song.Īs an artist, Buddy Holly was only with us for 30 months-between 19. Holly’s torn, mangled body was found a few hours later in a frozen Iowa cornfield a little past midnight on February 3, 1959. Richardson, disappeared into a snowy cloud. Shortly after takeoff, however, the plane carrying Buddy Holly, along with Ritchie Valens and J.P. The only alternative to riding all night long in a dirty, unheated bus to his next concert date was a tiny airplane. Remains: Buried, City of Lubbock Cemetery, Lubbock, TX
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